The most striking thing about Into the Spider-Verse are its visuals. They're great, striking and hit the tone of the film so precisely you'd be forgiven for normalising them by the end of the show. That said, there were a few scenes that jarred for me - mainly ones where deliberate phasing and blurred lines were introduced as style, but I suspect that this was more of a personal irritation than a universal flaw.
In fact the film looked and played so well that it was almost carried by it. The plot was weak, with a fair bit of licence used throughout to keep it going, and character development was pretty cheap too. That said the film never saw the need to apologise for it, instead offering tons of fanservice and fun instead.
So here we have a film that is clearly style over substance, and so a film easily hyped (but equally enjoyed) - but however much this makes it fine for a single viewing, it unfortunately falls quite short of being a definitive Spider-Man film.
Tuesday, December 18
Film: Spider-Man: Into the Spider-Verse
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment